Friday, October 14, 2011

notes from wednesday's critique

bethany, i found this article about the cleanliness of women's vs. men's restrooms that some of us were talking about during the critique. "womens restrooms just get more traffic than mens rooms. women use the bathroom more often and stay longer?" crazy.
i also noticed in your pictures that there is a pay phone in the restroom?! that is so funny to me. i think including a lot of pictures of how often girls are on their phones, even when they're out, supposed to be having fun, would add a really interesting aspect to the work, especially since you are using your cell phone to make the images.

loon, a year or so ago a found this old photo album at a dump in boulder. i kept it, thinking i would do something with it, but you're more than welcome to it for your project. it's pretty damaged and weird, there are about 40 or 50 pictures i'd guess and most of them are of people with fish they've caught. the emulsion is peeling off of a lot of them and maybe you could use that for some photograms? i also have 9 national geographic magazines i'm not using if you're looking for some "found" imagery.



for playing with composition using found images, i think you should look at olivia parker. not photograms, but i think the way she sets things up is really successful.



dominic, i was thinking about how someone in critique said some of your images make them think of sound. there is a radiolab story about cities, particularly this segment, that i think you might like. might be totally irrelevant, but i am trying to think of ways we use technology to experience place, whether or not we've actually been there, and this keeps popping into my head. maybe thinking about this sort of "pace of place" will give you some ideas?

ashley, during your critique i thought of a radiolab story about alzheimer's and dementia patients in a german nursing home (the segment is only about 15 minutes). i also realized that there is a retirement home, hirschfeld towers, in my neighborhood and i thought about the possibility of you photographing in places like that? i know many of the people who live there are physically disabled and since their lives are not so regimented by a more hospitalized atmosphere, although support is offered by the institution, maybe people would be a little looser and more willing to chat with you and be photographed at places like this? i don't know, just a thought.

our next and last critique before the final is november 7. especially for editing down and out, i think posting here between now and then could be really helpful!

notes from monday's critique

will, i think your new images are beautiful and you're well on your way to making a solid series. i'll be thinking of examples of the figure interacting with the landscape, but for now i actually just today found out about this artist, josh winegar, whose work i think you would like. check out "folds." i don't think your concepts are related but you might be interested in some of his imagery.



i've also been thinking about bodies of water where you could shoot:
bear lake in rocky mountain national park
montezuma hot springs in las vegas, NM, and pagosa hot springs, or the river nearby (a little man-modified but you could work with the location, especially if you were interested in close-ups, and also not freezing. both are (sort of) on the way to/from santa fe)

conor, i can't remember who in the critique mentioned marla rutherford, but i checked out her work and it might be really inspirational since you brought up adding a few more images with people to your series. her work is definitely more straight than yours, but i think some funky portraiture would be good for you to look at! along the same lines, i also thought of david lachapelle. some surreal portraiture/imagery in general.



jesse, i saw this and thought of you. have you considered recreating classic artworks solely photographically, or are you only interested in making digital collages using collections? if you are still thinking of aiming for ten final pieces this might be a fun, relatively easy way to add some pieces to your series.



also, i think those vik muniz pictures of garbage/junk/thread that were mentioned during the critique are great to look at.

i really appreciated everyone's input in the critique this week. sometimes it's really helpful to just go through each image and hear "yes" and "no." thanks!

Monday, October 3, 2011

DAM events surrounding robert adams

here are some photography-related things going on at DAM through the end of the year (some might be great things to write about if you're in Carol's Photo Now class).

Looking at Photography
Weekly starting Sunday, October 9, 1:00 pm
Hamilton Building, Lower Level
This four-week course is designed to enhance your ability to approach any photography with imagination, confidence, and critical skill. DAM curator of photography Eric Paddock will explore the pleasures and mysteries of looking at photographs using example from the DAM's collection and images from a variety of sources—museums, historical archives, Flickr, and old family snapshots. The course will emphasize looking over historical context and investigate how photographs fuse together subject matter, technique, and creative energy to convey feelings and ideas. 
Sundays, October 9–30, 1–2:30 pm
$75 DAM members, $85 others
Registration begins September 6 for DAM members; September 13 for others. Call 720-913-0130 or register online.

Takes on the Changing West
Thursday, October 20, 7:00 pm
Sharp Auditorium, Hamilton Building, Lower Level
$12 DAM members, $16 others
Join renowned historian, New York Times columnist and MacArthur fellow Patricia Nelson Limerick and DAM curator of photography Eric Paddock as they discuss competing images of the American West and how they affect our responses to art, government policy and the everyday challenges of living in the region. Limerick will present a talk on lessons she learned from her experience at the center of a controversy surrounding the Smithsonian's notorious 1991 The West as America exhibition. She and Paddock then will have a conversation about how the work of Robert Adams challenges popular thinking about photography and the Western environment. This lecture is given in memory of William Cooke-Daniels of Denver and his wife, Cicely Cooke-Daniels.

Reading Robert Adams: Beauty in Photography
Wednesday, October 26, 6:00 pm
North Building, Lower Level
Join curator of photography Eric Paddock as he leads a discussion based on Robert Adams’s book, Beauty in Photography, to be followed by a private tour of Robert Adams: The Place We Live, A Retrospective Selection of Photographs.
$12 DAM, WWA and CPAC members, $15 others.
Reservations required; space is limited to 25 people. 
For details or reservations, email info@workingwithartists.org or call 303–837–1341.

Conversation with Curator: Eric Paddock
Friday, November 4, 4:00 pm
Hamilton Building, Level 1
Join Eric Paddock for a discussion about the photography of Robert Adams and our understanding of living in the West in conjunction with the exhibit Robert Adams: The Place We Live.
All Conversations are free with general admission and no reservations are needed. Meet at 4 pm on level one of the Hamilton Building.

there should also always be a docent-led tour of the robert adams exhibition weekdays at 2 or weekends at 3 through the end of the year.

Logan Lectures Fall 2011: O Zhang
Wednesday, October 5, 7:00 pm
Hamilton Building, Lower Level
Chinese artist O Zhang divides her time between East and West, and she brings an acute awareness of cultural difference to her work. Using film and photography, she is provocative and ironic in her allusions to journalism, advertising, popular culture, and revolutionary propaganda. O Zhang’s depictions of Chinese youth and cultural cross-pollination draw attention to—and offer alternative views of—the power dynamics that emerge when East and West collide. 
$8 students with ID, $12 DAMC members & artists, $15 DAM members, $18 others
Doors open at 6 pm; lecture begins at 7 pm.  Registration is required. Call 720-913-0130.

http://www.denverartmuseum.org/